Daughters of Zeus! who from the ethereal bowers
Descend to swell the springs, and feed the flowers!
Nymphs of this fountain! to whose sacred names
Our rural victims mount in blazing flames!
To whom Ulyssey’s piety preferred
The yearly firstlings of his flock and herd
-Homer
And he pondered
Deep inside the dark, cavernous libraries of Numidia.
He pondered.
For he was Saint Augustine, bishop of North Africa.
He was the conflict.
And he knew.
It was here, in Numidia, that the bishop thought about the God Apollo, and the Mountain of Parnassus and the history that was.
Parnassus and the Oracle.
Where Apollo killed the Python.
https://www.ancient-origins.net/myths-legends/pythia-oracle-delphi-001641
He thought about the cultivation of the sacred, fostered by the spirit of creation, matured through the singing of the Muses.
For this is where they sang.
It was where Castallia inspired the sacred genius pouring from the fountain.
And it was where the Doric order thrived.
It did thrive.
And all the tribes of Greece competed for control of what would be.
Modern day Italy.
Home to the Ionian tribe.
A tribe in the west, whose territory expanded into the far into the Aegean. They were the strongest and most influential tribe rivaled only by the Phrygian empire who thrived under the divine touch of King Midas.
It was sure Augustine knew of the magic of the old tribes as well he knew of the cutting of the Gordion knot.
https://en.m.wikipedia.org/wiki/Gordian_Knot
Further more, he knew there was magic in Aeolia and that there was splendor in Lydia.
The modes of the muses.
Ionian
Dorian
Phrygian
Lydian
Aeolian
Locrian
And within this octave, this successive amalgamation of tribal overtones comprising Anatolia, the nature of good and evil was heard loud and it was articulately channeled by Plato.
Timaeus of Locri, in which Plato wrote in Old Ionian, told of the dichotomy of correctness and falsification. This work would inspire Neoplatonist for ages to come and in turn bear the torch of global renaissance towards the golden age and through the marrow of the world.
The quagmire of the Middle East was to be shaped.
And the western world was to be shaped.
For it was Augustine’s philosophical musings of Plato’s teachings that inspired the Devoted follower and member of the Augustinian order, master rosicrucian, Martin Luther, to translate King Jame’s New Testament from Koine Greek to German in 1522.
He did this in Eisenach, at the old haunt of the Ducal Family of Saxony.
Wartburg castle.
The castle which fed of the energy of the Thuringian forest.
https://www.bibliotecapleyades.net/ciencia/antigravityworldgrid/ciencia_antigravityworldgrid06.htm
Wartburg overlooked a powerful vortex that would, in turn, come to cultivate the conditions for one of the Lutheran movements most powerful families…
The Bach’s.
Of which, one, Johann Sebastian, would expand into the new sound of Ionian and harmonic Aeolian modulatory techniques, counterpoint and revolutionary structural practices embodying revolution. Music such as the Art of the Fugue, the well-tempered clavier and St. Matthews Passion would cascade from his pen.
He would carve out a course defining and exploring the uncharted waters of signature.
The octave and the tones between them would build the navigation system bridging aural universes deemed key signatures to motives which allow for the complex expansion of musical language.
And they would stem from one the preferred modes. Aeolian variant (harmonic minor) or Ionian and music for the forth coming centuries would be largely grounded in this Ionian formula especially pop music.
https://storytelling.di.se/max-martin-english/
Of course the new sound budded from the work of Martin Luther, embedded in the passion of human resistance to the church would melodically narrate the palpable renaissance now threatening the might of the Roman Catholic Church and in turn the incredibly powerful, Archonic families connected to them.
The Farnese.
The counter-reformation.
The order they would create would be known as the Jesuit order and would serve as the military arm of Rome and it would ensure theological supremacy during an age when dogma was to be questioned.
They would ensure the fire of Renaissance would never bring light to the planet.
Families like Odescalchi, Pignatelli, Dei Conte, Orsini, Corsini, Lambertini, they would be the Popes, the cardinals, the bishops of Rome.
They would be the Family.
And they would rule.
For this was war. It was a theological war dating back to ancient Eygpt and to the Ptolemaic dynasty. It was a war for wealth and for control of the planet and the Farnese family specifically specialized in land acquisition.
https://www.ancient.eu/Ptolemaic_Dynasty/
https://www.cais-soas.com/CAIS/Religions/iranian/Manichaeism/agustine_manichaeism.htm
Secretly, Sophia would see to it that the powerful Archonic stranglehold suffocating her through Anthropothic consumption would dissolve through the reflection of its own distorted actions.
The Jesuits, not to be undone, would counter with world-wowing, grand, new architecture like the Gothic cathedrals and palaces of Europe.
The world would never be the same and the voice of the post-renaissance era, Bach, would be the hidden flame laying dormant, ready to reawaken at times of artistic expansion.
https://www.theguardian.com/music/2005/jan/28/classicalmusicandopera.jsbach
https://www.latimes.com/la-et-music-gould03-story.html
This was the ripple of Sophia and the beautiful feminine expression of artistic rearrangement.
The act constructing and destructing.
The act of creating and dissolving, both the birth of formula and freedom.
For Melody it was the arrangement and formulaic expression of sound itself and despite the many attempts at reducing and simplifying and dulling melody to its lowest common denominator, the feminine-to-masculine expression of the anthropothic soul infinitely reverberates the hu-man evolution through the law of potential manifestation.
It is was endless; it is endless. And the Ionian Aeolian modal system that ensnares western music will soon end resulting in a plethora of aural, deep and rooted, cultural expression.
The third renaissance.
The final renaissance into the golden age.
And deep inside Augustine knew this.
It will not be the burning of the Egyptian texts, the imbedded secrets inside each and every one of us that will stop the reunification of Sophia.
It is not Diocletian’s fire that can suppress humanities secrets.
It was Augustine who held to him the sacred fire and Hermes prophesying the rebirth of Alchemy.
Hermes would ignite the flame that fueled humanities periods of expanse.
Controller of letters.
God of time.
His was the ultimate quest of the transmutation.
When all thought becomes reality.
When all elements blend into one.
And it was the voracious vehemence of fire that tore through and expounded upon his appetite for transcendence.
A ravage and unpredictable form of energetic transference with the power of transmutation and a history of physical distortion.
Only through the refined control of the physical, the deep understanding of potential manifest that one can begin to perfect the human body and, as well, transmute even the crudest of the heavy metals to their most perfect and pure form.
Gold.
And so it begins.
One is said to have done it.
The ignited, the speed
The philosophers stone.
https://study.com/academy/lesson/egyptian-god-thoth-emerald-tablets-facts-quotes.html
The Blackness.
The Magic.
The breath
The Breath.
And Augustine pondered.
The magic stirred around him.
It was a magnetic stir. The same stir that stirred from the shores of Ionia to the forests of Thuringia. The amalgamated dance from which all things came.
It was the cosmic fire.
-B
